FEATURE: James Blake

25 Jul

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FEATURE: Pnau

25 Jul

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Papa Vs Pretty @ Amplifier Bar, Perth

19 Jul

Saturday, July 9 Amplifier Bar

They might be barely 20-years of age but Sydney trio, Papa vs Pretty proved they are a force to be reckoned with live, after playing a show at Amplifier Bar on Saturday night.

The venue was packed by the time vocalist/guitarist Thomas Rawle and his band mates Angus Gardiner and Tom Myers hit the stage close to 11pm. This show was part of a full national tour on the back of their debut album, United in Isolation, which has seen the youngsters being somewhat over-hyped with a feature album on Triple J and the like.

Opening with Life’s Got A Hold On Me followed by Look For Me both off their debut, from the opening guitar riff it was apparent just how rhythmically confident and cohesive they actually are. But they are in fact seasoned veterans already with a few EPs under their belt and previous national tour supports with the likes of Paul Dempsey and Howling Bells; they’ve had quite some time to hone their big sound.

The hooky title track off their last EP, Heavy Harm was dropped early along with recent big single, One Of The Animals. Rawle’s voice never faltered, conveying musical maturity far beyond his years.

Mid-set Rawle humbly introduced, I Still Believe In Us off the Heavy Harm EP saying, “I don’t know if anyone will have it” and we were treated to a quiet moment in the set, where he allowed his voice to shine free of the band’s full throttle intensity.

Bitter Pill, Darkest Way and new single, Honey upped the energy again and I Felt Nothing began with just vocals and guitar and thoughts that while the songs on record don’t resonate instantly, they’re certainly potent in the live setting.

And in just over an hour, Papa vs Pretty had churned out the bulk of their debut album, closing with the more emotional, You Are Not In Love Anymore, with Rawle lamenting it was the last song on the album as well as the end of the whole album tour.

[As published in The Wire, The West Australian, Issue 112, 14.07.11]

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ALBUM OF THE WEEK 05/06/2011

4 Jul

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FEATURE: Friendly Fires

4 Jul

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FEATURE: Papa Vs Pretty

4 Jul

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FEATURE: Guillemots

4 Jul

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FEATURE: Metronomy

4 Jul

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FEATURE: Battles

4 Jul

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LCD Soundsystem: Yes this is happening

17 Dec

Observing people from afar, by reading or watching interviews about them or through enjoying or thinking about their artistic work, you start to form a (usually inaccurate) view of what they’re like as a person.

But strangely enough, James Murphy, the man behind New York’s successful LCD Soundsystem project and co-founder of DFA Records is, as I expected – direct, mostly serious, intelligent, and articulate. Well, that’s what I got from a 15-minute phone conversation anyway, which for him took place on a Saturday morning in Dublin.

He sounded tired. The night prior, LCD Soundsystem had played a sold-out show in Dublin and they had another that night. The band has been on a world tour since April. “I love being on the road but I’m tired immediately. It’s pretty gruelling stuff,” he says.

There’s a little chitchat about Ireland itself. Despite his Irish surname, he wasn’t attempting to connect with his roots instead, “just eating and playing”. He states the weather is “cold but not punishing” and reveals a few of his thoughts about Dublin: “It’s a gloomy dark place in some ways, but that’s one of its charms.”

We delve into more pressing matters such as – ‘is this, or is this not, LCD Soundsystem’s last ever tour?’

When they visited Australia for the Big Day Out in 2008 on the back of their hugely successful second album, Sound of Silver, their was speculation it was to be the last, but in May this year, a brilliant third album was released called, This Is Happening, followed by some east coast dates in Australia last August and an official announcement by Murphy that it was their last ever tour.

Not too long after LCD Soundsystem were announced on the Big Day Out for 2011.

“The first time round I was starting to feel like I needed it to be ending soon,” he explains. “But this time, I’ve basically said point blank that I’m going to end the touring side of things at the end of this tour and that’s not a rumour.

“At the end of the day, it’s not really the end of the band; it’s the end of us professionally touring. We’re just going to get back to making 12 inches and being a bit like normal people again.”

Right at the moment, the band is in Mexico, they take a little break for Christmas, and then it’s Australia and New Zealand followed by a few more dates to be announced soon.

“Next year is a mystery. I’m not sure what it’s going to be like,” he says.

For most bands, touring is how they survive these days, but Murphy says that making money is not the primary goal. He isn’t sure if he will continue to release albums either.

“The music industry is changing a lot and it doesn’t make sense as to what to do any more. I’m just going to see what I want to do after this. I’m excited to go home and not know.”

After writing the score to the film Greenberg by director, Noah Baumbach, which he wrote at the same time as writing, This Is Happening, he says writing soundtracks isn’t a direction he wants to head in either.

“No, it’s not really my… I really like Noah – I’d do a soundtrack with Noah anytime but I don’t like the movie industry that much. If you think the record industry is crazy try dealing with the movie industry,” he laughs.

Even though it is foolish to predict what Murphy will do next, perhaps he could move into writing literature given the enjoyably witty lyrics on This Is Happening. Possibly something satirical or postmodern.

According to Wikipedia, he was offered a job writing for the TV sitcom Seinfeld at its inception.

“There are a few things that are weird to talk about unless you are doing them – one is fighting and one is writing,” he says. “These are two things people talk a lot about and then don’t do.

“It’s a goal of mine. I don’t really want to die having not tried to write a book – it’s what I went to school for and what I was planning on doing and then I detoured into music.

“I’ve been doing music all my life but I have done it for a while and it’s something I’d like to do, but planning to write a novel is thoroughly meaningless, so we’ll see what happens.”

THE PLUG LCD Soundsystem plays the Big Day Out at Claremont Showgrounds on February 6. Tickets on sale from Ticketmaster and the usual outlets.

[Edited version published in The Wire, The West Australian, Issue 81, 09.12.10]

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